Vogue 1250

OLYMPUS DIGITAL CAMERADo you remember Vogue 1250?  It was the dress everyone was making a couple of years ago  - I jumped on the bandwagon with my Accidental Dress and although it didn’t look too bad in the photo’s I posted on the blog, it really was too big to be flattering on me and so was never worn.  I found it again recently and put it in the pile to go to the charity shop, but that got me thinking…

Yesterday I found the pattern again and this time cut out a smaller size using Navy Roma jersey from The Fabric Godmother. I’ve written before about how much I like this fabric, it is probably slightly thicker than the pattern calls for but I know it will wear well and be comfortable.

A couple of hours later I had a dress – yes it really only took that long!  There is nothing complicated about this pattern and with only three pieces it doesn’t take much to put it together.

The combination of a smaller size and less stretch fabric make the fit perfect.  My only concern is the sleeve caps which seem to stick out a little. If I were to wear the dress as it is I wouldn’t be too worried but I know I will be cold at work without a jacket or cardigan and these will add extra bulk.  I haven’t thought how to get around this as yet and it may be that I will come back and add some sleeves at some point.

BTW the pictures in the background were painted by my lovely friend Jim, if you want to see more of his work you can look here http://www.kelsopaintings.com/JK_Paintings_Test_site/Home_Second.html


Strathcona Henley

OLYMPUS DIGITAL CAMERAI a bit of a selfish sewer (actually completely selfish) and never sew for anyone else.  I think this is mainly because I tend to sew on a whim  - because I’ve seen a nice piece of fabric, or had an idea about a dress I might make or found a pattern I like.  As there is so much inspiration around I rarely have any time when I don’t have a list of things in my head that I want to sew.  This time it’s been a bit different, I have found a pattern I want to sew but it’s for a man.

Thread Theory started a few months ago and I have been watching their website and admiring their designs.  It’s been noted before that there are few good sewing patterns for men and it’s good to see a company which has decided to specialise in menswear. The Strathcona Henley fitted right in with my current obsession with knits.



I started off with some navy jersey – 1.5m as the pattern says – but found I had barely enough fabric. I managed to get the pattern cut out but had to reduce some of the seam allowances in the process. I haven’t gone back to check the pattern pieces so it may be that I was slightly short changed in the length of fabric I bought, or that it shrunk more than I expected.

This should be an easy pattern but the placket is not that straight forward. My initial attempt was a complete pig’s ear, I unpicked it but having used a stretch stitch to sew it found that unpicking it only stretched the jersey. Fortunately I’ve been able to cut the pieces down to make a Jane sized t-shirt so I didn’t waste all that fabric.

Attempt two was this red cotton jersey of which I had 3m. This time I cut out the front first, so that if I spoilt it I could restart. I’m still not completely convinced I got the placket entirely even but it’s not too bad. I think if I make another I will try using a different placket method – there is one described in my DK sewing book where you use two pieces of fabric and hide the ends on the inside not on the outside like this one.

One problem with the pattern which other bloggers have noted; it asks you to cut the neckband so there is no stretch along the width (i.e. One long strip running down the grain of the fabric rather than across as normal). I’m sure this is a mistake, but it’s repeated in the instructions a couple of times so maybe it’s intentional. Anyway I cut it as I would normally do with the stretch running along the length of the band.

My original plan was to finish it off with a twin needle, but I couldn’t find mine so I went with bands. Unfortunately they turned out to be too bulky (Hugo is a tucker in), so I cut them off and substituted with a twin needled hem. I also had to cut back the sleeves by a couple of inches as they were ridiculously long on Hugo.

I suspect I will be making this pattern again. It makes a nice, comfortable t-shirt perfect for making breakfast in on Sunday morning.



Playing with my stretch block

OLYMPUS DIGITAL CAMERAI have been in need of instant gratification recently so I have been playing with my stretch block.  Having a stretch block is wonderful, I can use it for an infinite number of designs, all of which only take a couple of hours to make.  My stretch block came from some pattern making classes I took at Raystitch with the lovely Alice.  I can’t recommend these classes enough as Alice is a great teacher who makes it all look very easy and gives you lots of inspiration and encouragement (also plies you with wine and cake which makes the sewing much easier).

OLYMPUS DIGITAL CAMERAThis is a simple dress which is smart enough for work but fun enough for play.  Stretch dresses are an absolute godsend to those of us who cycle to work as they fold up next to nothing in a pannier and come out looking fresh and new.

There is nothing complicated about this dress, the front and back are straight from my block, which has darts, to give it a great fit.  The collar I stole from the Renfrew pattern, I love large collars and this one is fabulous, the only quibble I have is that because the inner and outer collar are made from the same pattern piece the seam around the outer edge of the collar falls to the outside.  If I were to make it again I’d make the under collar slightly smaller to ensure the seam is kept nicely hidden away.

The fabric is called Les Branches and came from Dragonfly.  I had one of those late night buying sessions which lead the next morning to a lot of guilt, and worry that I might have ordered something not very nice.  Fortunately both pieces of fabric (I also ordered some Campan jersey) turned out to be lovely.

I only ordered 1.5m and I was pleased that I managed to get all the pieces cut with next to no spare fabric (really I was struggling to find a scrap big enough to run some test stitches over).

I was so keen to get it made I just ran it through the overlocker without basting it first and as a result it is slightly better fitted than I had meant it to be.  Naughty Jane! Always baste first so you can check the fit.  Fortunately stretch fabrics are very forgiving.

The hems were finished by running them through the overlocker, then turning them up once and sewing around with a twin needle.

Probably two hours from start to finish – that’s pretty instant in my book – taking the train into town, browsing the shops and doing lots of trying on would have taken longer.



Experimenting with the Spiral Dress

OLYMPUS DIGITAL CAMERAThis is a muslin made with my spiral dress pattern – I knocked it up to check the fit works with a woven as well as a jersey fabric.  The answer is yes! although I probably need to make the neckline and armholes slightly deeper.  On this picture you can clearly see the long, single seam line the starts in the top left armhole runs around my body and comes back to the front at about knee level. Marianna, Ruth you are right to compare this to a toilet roll!

Whilst trawling through the internet I found this Rick Owens dress which I suspect is made in a very similar way.

I feel a party dress coming on, know where can I find a nice piece of silk?

Lola Dress

ImageThis is the Lola Dress from Victory Patterns. I made it a few weeks ago with some grey sweatshirting from Cloth House in Berwick Street. I’m not actually completely enamoured of it, the style is a bit odd, the upper bodice wants to be a fitted dress but below it has these enormous pockets that give it a very casual look.  What I wanted was a very casual sweatshirt type dress and I am not sure this is actually it.  Having said that I have worn it a lot, mainly to do housework, gardening and general slouching.

OLYMPUS DIGITAL CAMERAI do quite like the pockets, particularly from the back, but Hugo says they make me look like a bag lady.  I think this was the look I was trying (and failing) to get

I also feel the length is a bit strange, it could do with being a tunic rather than a dress.

Have you tried this pattern? Where you happy with the results?

Spiral Dress

OLYMPUS DIGITAL CAMERAAn instant dress this week made using my stretch block!

I was reading my blogs the other day and came across Alice & Co in the South Pacific. Warning clicking this link will make you green with envy!  About half way down the post there is a picture of Alice in a spiral dress which immediately got me thinking about how I could make such a thing.  Fortunately Alice is a friend and very kindly gave me the secrets of how to cut the pattern.  It’s actually made from one piece of fabric which is cut on the straight grain but, cleverly, once you sew the one long seam that runs around your body, you end up with a dress that sits on the bias.

As the technique is Alice’s I won’t divulge how you make the pattern here but it really is extremely clever and hopefully you will agree that it makes a very flattering dress.  The pattern took me quite a while to draw up, mainly because it’s on such a big piece of paper and I didn’t have a table big enough to fit it all on.  Also I was trying to be as accurate as possible with my lines and angles so I could get the stripes to spiral around and meet up in the right place.

There is no room for adjustment once you have cut the fabric out  so I made this one out of some extremely cheap jersey I bought from Tia Knight.  Cutting the dress out was very trying!  The viscose jersey moved at the slightest opportunity and all the edges curled like mad.  I also discovered that the stripes were not at right angles to the selvedge – I think jersey is often made in a tube and then cut open, I suspect that the cutter didn’t take the care they should have to ensure that it was straight.  It probably took me three hours to cut the whole thing out.


Yes there is a seam there!

The pattern piece is a bit less than 3m long and about 70cm wide. In theory a 3m length of jersey which is 150cm wide should give you enough for two dresses – if you wanted to have two dresses and if your fabric was cut so the grain was straight.

Having spent so long cutting the fabric out, I then took about half an hour to hand baste the long seam so I could be certain that all the stripes matched up. I am pleased that taking the effort to do this paid off – even I can’t see the seam in the picture above but it is there!

It took me less than 10 minutes to run through the overlocker and hey presto I had a dress! Just goes to show  that taking the time to do things properly at an early stage really pays off.


Great British Sewing Bee

Have you been watching the Great British Sewing Bee?  What do you think of it?

I love that there is sewing on the television and revel in the intricacies of getting the under stitching perfect or managing to put in an invisible zip err…invisibly.  I only wish there were more of this sort of geeky detail, I mean we haven’t seen the inside of any of these clothes yet!

Who do you want to win?  I’d like it to be Chinelo; I love the way she just draws on the fabric with a bit of chalk and then seems to cut out the most amazing designs.

The big question for me though is, why would any one want to watch it if they didn’t sew? I’ve never watched the Great British Bake Off but I can imagine that even if you don’t bake you can at least drool over the cakes.  The clothes made on the GBSB aren’t really that exciting, in fact most of them are really a bit boring.  If I wasn’t a sewer already I don’t think I would start as a result of watching this programme.

What do you think?

Design and Print Your Own Fabric

I am sure that most sewing bloggers will have heard of By Hand London who designed the Charlotte skirt amongst other lovely patterns.  Their latest venture is to start printing fabric on demand.  The idea is that you can design your own fabric, send it to them and they will print it out, initially on cotton poplin but if they idea takes off then silks and jerseys and other fabrics may be possible.  As the fabric is printed on a digital printer you can have as little or as much printed as you want. This blog post explains the concept.

At present By Hand London need funding to get this started so they have set up a kick-starter page to attract backers.

This is such a great idea, I just now need to start thinking about what my design might look like!

Does the world need another V1247?

IMG_0647The answer to this is of course, yes.  I must admit to having made this a few weeks ago (ok, if I’m being truthfully honest before Christmas).  And, yes I know that one of my resolutions for 2014 was to blog more but life gets in the way sometimes……

Anyway enough of the excuses and back to V1247.  This one is made out of cherry red corduroy from Truro Fabrics, it’s quite a lightweight corduroy and the colour is to die for.  I finished the seams as it tells you to do in the pattern using some bias binding made from a piece of fabric sitting in my “spare ⅔ m” box.  It was whilst I was doing this that I realised that I really needed a bias binding foot.  The waistband is finished with a button because I prefer buttons to hooks and eyes.



The Fitting Resolution 2

Thank you for your helpful comments on my last post about fixing the Emma dress.  I thought I would quickly update you on what I did.  This is not by way of being a tutorial, it worked for me but I wouldn’t be so presumptuous as to say it will work for anyone else.

Princess seam alterationDo you like my picture?  I’ve just downloaded paint2 to help me edit my photos.

Just to remind you I wanted to increase the bust on my dress by 1.5cm on each side.  The dress has princess seams but I needed to avoid changing the design line which runs along the bottom of this picture.  So what I did:

1) I marked the point on the side front pattern piece where the bust is at it’s largest (red mark)

2) I placed the pattern on a new piece of paper and drew a line parallel to the grain line 1.5cm from the edge of the pattern at my red mark (red line)

3) I traced around the outside of the pattern pieces from X to Y, around the arm hole seam, the side seam and the design line – these are the lines I wanted to leave unchanged

4) I pivoted the pattern from X until the red mark met the red line and traced around from X to the red line (new blue line)

5) I then returned the pattern to it’s original place and pivoted it from Y, again until the red mark met the red line and traced from Y to the red line (new green line)

6) I measured the difference between where the blue and green lines met the red line – 2cm and then smoothed the curve over this area.  This produced my new side panel.

7) For the centre panel I worked out where the red mark would come on the inner part of the princess seam and cut a horizontal line across the pattern (at right angles to the grain.   line). I then added in 2cm of paper between the two pieces and taped it back up.

Result – it now fits across my bust much better.  It’s a little large in the waist so maybe I should have just pivoted from a point a bit higher than Y (but I’m not too bothered).

I’m not sure if I can use this method on the lining, but if the worst comes to the worst I will just use the shell pattern rather than the separate lining pattern.

I’ve also made some decisions about the dress.  I popped to Berwick Street last week to see what was available and found some rather nice black and blue lightweight wool. I’ve also decided that sleeves are a must so have been playing around with my drafting some from my block.